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A powerful love story that moves recklessly back and forth through
time to the most intimate meetings of cultures, histories and bodies.
Nicholas Jose
Gillian Hindmarsh is an Australian researcher, investigating architectural
history in Penang, Malaysia. From a city archive, she souvenirs
a photograph of Rose, a young English woman from the 1940s. In Gillian's
imagination, Rose is a black and white romantic fantasy taken from
an old forties movie.
Rose, however, was real. She has no family name to identify her.
Her ghost is seen from time to time by fisherman in the waters off
Georgetown, and in 1982, when disturbed by dredging for a bridge
to the mainland, she looks for a body into which to reincarnate.
And she wants her lover, Li-tsieng to reincarnate also.
Wang Li-tsieng, the dissolute son of a wealthy Straits Chinese
family, returned from the safety of exile in Chile, to be with his
English Rose. Shortly after his return, they were killed by a bomb,
as they danced in the underwater dining hall of one of the Wang
family mansions in Georgetown.
Patrick Dreher, Gillian's lover, is a dredging engineer who
rents a house on Jalan Dunn, where he is disturbed by Rose's
spectral presence. Rose makes a significant choice by allowing herself
to be seen by Gillian, in Patrick's house.fishlips weaves together
issues of history and memory, east and west, body and spirit, coloniser
and colonised in a fiction that interrogates the ways we order both
individual and collective histories to make sense of our own worlds.
In this dark romance, loss and madness hover just below the surface.
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